A Good Man Is Hard to Find by Flannery OConnor Free Essay Example, 1000 words

Client’s xx May A Good Man is Hard to Find by Flannery O’Connor A disconnected family of obnoxious and ungrateful adults with their wild and uncontrollable children on their way to Florida for a vacation is depicted in Flannery O’Connor’s short fiction â€Å"A Good Man is Hard to Find. † On their route they encounter an accident and met a dangerous felon who eventually brings them to their death. As they forced to face their own mortality, the grandmother tries to find some goodness in the murderer in an attempt to postpone her own death and consequent Judgment. In the story, the aptly named character of â€Å"The Misfit† serves as a symbol both of evil as well as a symbol of the villain’s inability to fit into society. The family also represents a bunch of misfits as demonstrated through their ungratefulness and disregard for other’s emotions. The mother ignores her children except for her baby; the children have no qualms about littering and talking back to adults. The family is living without really being aware of the fact that life is precious. We will write a custom essay sample on A Good Man Is Hard to Find by Flannery O'Connor or any topic specifically for you Only $17.96 $11.86/pageorder now The vacation that the family is taking also has symbolic significance as a journey away from their familiar surroundings. The fact that the family is going further South might be indicative of the direction they are heading in the afterlife. Even their stop along the way at Red Sam’s resembles a place of purgatory. The grandmother revisits moments of her life as the family drives along on their way to Florida and is the only family member who seems to learn anything on the road of life. When it comes to the historical background of the story, Flannery O’Connor takes special care in presenting the differences between the old generation of Southern gentility and the current (1950’s) generation, which is more abrasive and fast-paced. Stephen Bandy in his review of O’Connor’s A Good Man is Hard to Find indicates that a personal history is explored as the grandmother reflects on plantation homes, unpaved roads and formal clothing while riding with her son and his young family on a highway to the trendy vacation spot of Florida (110). This is true as the grandmother appears to be struggling with the changes occurring throughout the time period. These changes are reflected in her children and grandchildren. In the 1950s, the population was growing and expansion of cities and suburbs was occurring across the country while farmland began to decrease. The advent of rock n’ roll music fed the desire of the nation’s young people to rebel against their parents’ traditional values.

Presentational Devices in Shrek Essay - 1203 Words

Presentational Devices in Shrek In this essay I am going to show the different techniques the director uses and analyse the characters of Shrek and Lord Farquaad to show how the makers of the film reverse tradition and create an original and amusing fairytale. The film opens with peaceful, traditional romantic non-diegetic music playing and the voice of Shrek as a narrator as he reads part of a fairytale book. By using this music and Shrek as a narrator, the director manages to lead the viewers to believe it is going to be a traditional fairytale and so the director manages to create a false mood. Then, in an instant, the audience’s thoughts are changed as a large chubby green hand rips a†¦show more content†¦The painting is a ‘beware of the ogre’ sign. This differs from a traditional fairytale, and, along with everything else, portrays Shrek as a more cultured ogre than average. The director uses colour and body language to suggest that Shrek is a kind ogre. For example the way he puts his hands on his hips and smiles as he looks at his swamp when he comes out of the toilet, and Shrek’s bright green colour. After Shrek has planted the sign in the ground it shows the villagers going to try and hunt Shrek. Shrek sees them coming and instead of running at them and roaring savagely as a traditional ogre would, he creeps up behind them and follows them. This shows that Shrek has some degree of intelligence unlike the ogres in traditional fairytales. Shrek then catches up with the villagers and interrupts them to tell them how bad ogres are. One of the villagers threatens Shrek with a torch but Shrek just licks his fingers and puts the torch light out. Shrek then roars savagely at them and they scream and finally freeze on the spot. Shrek then whispers at them telling them that it is the part where they run away and they all run away. This part in the film shows that Shrek has the potential to be a traditional ogre. In this scene the director uses sound, lighting and camera angles to make it more effective. The light from this scene isShow MoreRelatedHow the Makers of Shrek Subvert the Usual Conventions of a Fairytale Using Presentational Devices1354 Words   |  6 PagesHow the Makers of Shrek Subvert the Usual Conventions of a Fairytale Using Presentational Devices In this essay I am going to discuss how the makers of Shrek overturned the expected characteristics of a fairytale. They do this by using presentational devices such as lighting, music, camera angles and visual effect. In my opinion if the film did not use these presentational devices the way they did, it would not be as successful and people would see it in a totally differentRead MoreThe Reversal of Traditions in Shrek Essay example506 Words   |  3 PagesThe Reversal of Traditions in Shrek In traditional fairy tales ogres are man-eating beast. The prince usually rescues the princess; they marry and live happily ever after. 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This essay will be looking at the characters and the different presentational devises used to show how fairytale traditionsRead MoreEssay on Shrek: The Kindness of the Ogre Revealed1267 Words   |  6 PagesShrek: The Kindness of the Ogre Revealed Lord farquaad and Shrek use the correlation between them to distort the traditional fairy tale. Shrek barges in just before the happily ever after and changes the story for the better? To explain how filmmakers use presentational devices to change the traditional fairy tale to something more exciting and adventurous, I am going to analyze the characters of Shrek and lord farquaad. A traditional fairy tale that contains an

Fear and loathing in las vegas Essay Example For Students

Fear and loathing in las vegas Essay Category:Book ReportsPaper Title:fear and loathing in las vegasText:Finding the American Dream in Sin City:What I got out of Fear and LoathingWhere do I start ? This book left me with so many questions and so manythingsto think about. Was this journey real? Was Hunter S. Thompson drawing offreal lifeexperinces to create this strange and insightful journey? If this was striclya fictional storythis is obivoiusly written by a man who had alot of experince with drugs andthere effects. I don not want to focus on the drugs because I think there is more to thisbook and if youjust focus and the outlandish number of drugs ingested by Raoul Duke and hisattorneyyou will miss it. The book bills itself as A savage journey to theheart of the AmericanDream. That is exactly what it is. We see america through a man whoseems to haveseen what America could have been only to see it come crashing down to theharshrealties of what it is. He was not alone in this feeling he makes it clearwhen he remarksthat Nixons term marked the popularuty of downers. The whole country was in adownmood it seemed that everything had failed and the people that were left afterthe smoke ofthe sixties cleared felt dislousined and out of place like Raoul Duke. Theonly feeling hehad left to cling on from this time was the drugs and even the highs didntseem the same. Take for example when he was describing being in San Francisco during theAcid Wavehow carefree and innoceent his high nights seemed compare this with theconstantparnonia that plagued him throughout his five day romp through Vegas. Hishighs alongwith america had lost a sense of innocence All that was left was a feeling offear andloathing. I also belive that the choice of Las Vegas as the hunting ground for theAmercianDream was extremely important. I think that for many Vegas especially circa1971embobied all that was right and very wrong with American Culture. The tackyglitz of thestrip, out of work entertainers pefroming for middle americans in thetwilight of their lifegambling away penisons and savings and two bit gamblers hoping that they tocouldstrike it rich and become geniune rags to riches story. Vegas with its lureof the instantHoratio Alger story seems to me to repersent the Amercian Dream over lasthalf centuryand I think Hunter S. Thompson saw this too. Then there was the Mint 400 andthe drugconfrence both I think were used as vehicles to see American culture fromoppositespectrums. There was the racers and fans for the Mint 400 a rough and tumblebunchsome would call them rednecks, bikers or rebels. These were the people whoseemed tobe living the American Dream on their own terms. On the opposite there waspeop leattending the drug convention a cross section of middle american lawenforcementpeople. To these people a free trip to vegas was the vaction they and themisses had beenwaiting for. They seemed so out of place in the glitzy lights and fancycasinos but in asense I feel they fit right in. They were the target market for vegas. Richpeople and hipyoung Americans dont travel hundreds of miles to see Tom Jones do medleysand eat badbuffet food. To me the convention attendees, Mint 400 fans, casino vistorsand RaoulDuke all resprsented diffrent aspects of one idea, The American Dream. Rauoland hisattorney had at one time found there American Dream and had lost it alongwiththousands of others who thought the sixties really would mean a change forthe better. .u99852526febb4dc3f13012c05a5c81f9 , .u99852526febb4dc3f13012c05a5c81f9 .postImageUrl , .u99852526febb4dc3f13012c05a5c81f9 .centered-text-area { min-height: 80px; position: relative; } .u99852526febb4dc3f13012c05a5c81f9 , .u99852526febb4dc3f13012c05a5c81f9:hover , .u99852526febb4dc3f13012c05a5c81f9:visited , .u99852526febb4dc3f13012c05a5c81f9:active { border:0!important; } .u99852526febb4dc3f13012c05a5c81f9 .clearfix:after { content: ""; display: table; clear: both; } .u99852526febb4dc3f13012c05a5c81f9 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u99852526febb4dc3f13012c05a5c81f9:active , .u99852526febb4dc3f13012c05a5c81f9:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u99852526febb4dc3f13012c05a5c81f9 .centered-text-area { width: 100%; position: relative ; } .u99852526febb4dc3f13012c05a5c81f9 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u99852526febb4dc3f13012c05a5c81f9 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u99852526febb4dc3f13012c05a5c81f9 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u99852526febb4dc3f13012c05a5c81f9:hover .ctaButton { background-color: #34495E!important; } .u99852526febb4dc3f13012c05a5c81f9 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u99852526febb4dc3f13012c05a5c81f9 .u99852526febb4dc3f13012c05a5c81f9-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u99852526febb4dc3f13012c05a5c81f9:after { content: ""; display: block; clear: both; } READ: Domestic Violence EssayThe Mint folks had found theirs and as mindless and backwoodish as it mightseem tomany it fit them and I dont think they gave a damn what anyone thought. Theconventionpeople they represented the masses grinding it out everyday 9 to 5 living theso calledHonest American Way oblivous to the way thing were beyond their own front lawns. Book Reports

The Risk Management Of Asset And Liabilities By Developing Countries E

The Risk Management Of Asset And Liabilities By Developing Countries The risk management of assets and liabilities by developing countries. Greater access to the international financial markets has bestowed many benefits on developing countries, but it has also exposed them to the vicissitudes of these markets. In addition to the macroeconomic challenges posed by large, potentially volatile flows, the sizable external foreign currency debt of many developing countries makes them vulnerable to swings in international exchange rates and interest rates and, often, they are tempted to speculative currency attacks. Indeed, prudent macroeconomic policies have at times been compromised by the fiscal consequences of losses associated with these exposures. Most recent of such policies is the one embarked upon by Russia.Russia had defaulted on domestic debt, devalued the rubble and frozen payments on some previous Soviet-era commercial debt. The U.S and a few European banks, which lost some $10 billion to the debt default alone, vowed never to go near Russia again. Yet, it is striking to learn through Business Week magazine that due to a change in macro-economic policies, Russia has been able to have some their defaulted debts forgiven. Now many of the same banks that vowed not to do business in Russia are hailing the administration of this country's first step toward a return to international bond markets in the form of a massive issue of restructured commercial debt. These financial pundits are hoping for an unprecedented economic rebound. The main economic and financial initiative that has encour aged investors is that Russia has the best performing fixed income market in the world for this year as well as last year. J.P. Morgan's Emerging Markets Benchmark Index reported this performance. Other areas of policy changes involved the devaluation of the rubble at a time when oil prices have surged. Russia has also recently restructured $32 billion in soviet- era commercial debt. Banks wrote off $10.6 billion and Russia issued two new trenches i.e. an $18.2 billion30-year issue and a $2.8 billion10-year issue for the balance. As other defaulted nations looked on, they find themselves in not so fortunate a position, and as the struggle for finding economic policies that will woo their creditors continues, they find themselves in unfortunate uncompromising positions. According to Newsweek, exposure of developing countries to currency risk can be broadly gauged by the amount of external public debt they have incurred. In 1996, the outstanding stock of sovereign debt issued or guaranteed by developing countries amounted to $1.5 trillion, or 25 percent of their total GNP and to 300 percent of their foreign currency reserves. Roughly one-half of their external debt was exposed to foreign interest rate risk: one-fifth of this was short term (maturities of less than one year), and two-fifths of the remaining long-term debt was at variable rates. During the past two decades, a number of emerging markets specifically from the developing countries have been hurt by adverse movements in exchange rates and international interest rates. In the early 1980s, the debt-servicing burdens of some countries in Africa, Southeast Asia, and Latin America were severely affected by the dollar's appreciation, a worldwide increase in interest rates, and a decline in commodity prices. Several Asian countries saw significant increases in their debt burdens in the early 1990s because of their large, unhedged exposures to Japanese yen. A third of the increase in the dollar value of Indonesia's external debt between 1993 and 1995, for example, was attributable to cross-currency movements, particularly the steep appreciation of the yen. At the time, 37 percent of Indonesia's external debt was denominated in yen, while about 90 percent of its export revenues were denominated in dollars. (The depreciation of the yen in 1996 offset some of the losses in curred by these countries.) A report by the Organization for Economic Cooperation and Development claimed that maturity profile of public debt contributes as much as the total volume of the debt to a country's vulnerability to external shocks, such as that experienced by Mexico. Mexico's public debt was relatively low by Organization for Economic Cooperation and Development (OECD) standards, -51 percent of GDP, compared with an average of 71 percent for the OECD countries. The Mexican crisis underscored the difficulty and cost of refinancing a